Introducing the smallest and lightest67 full-frame digital interchangeable-lens system with optical in-body image stabilisation (with FE 28-60mm F4-5.6 lens). Without compromising the performance of a full-frame camera, the component layout, body structure and internal mechanisms are all thoroughly reimagined. Operability and toughness have been optimised within a body that is approximately 19%8 smaller in volume and 22% lighter than the α7 III, at only 509 grams9.
A 35-mm full-frame image sensor is about 30x larger than a 1/2.3-type smartphone sensor and even 2.3x larger than an APS-C sensor. By capturing significantly more light, it opens up new creative possibilities through wider dynamic range, less noise, and higher perceived resolution. Deep bokeh, using shallow depth of field, is also possible in combination with a bright (wide-aperture) full-frame lens.
The back-illuminated Exmor R™ CMOS sensor and BIONZ X™ image processing engine work together beautifully. The extra-large pixels of a 24.2-megapixel10 full-frame sensor collect more light, for a 15-stop11 wide dynamic range and smoother gradations from shadows to highlights. Excellent subjective resolution and reduced noise pair with precise colour reproduction for beautifully accurate skin tones and natural textures.
Bokeh is selective focus with a blurred background that makes the subject stand out. Portraits or close ups are enhanced with new meaning and depth. The α7C, with its full-frame sensor, can achieve bokeh when a smaller sensor-size camera with the same f-stop lens might not. When paired with over 50 lenses available from Sony, the α7C becomes an excellent choice for creative photographic composition and movie creation.
With its large pixel size, in dimly lit situations or at high shutter speeds, the camera takes beautiful pictures with low noise, even when in the high sensitivity range. Standard ISO is from 100 up to ISO 51200 (expandable from ISO 50 to ISO 20480012). Noise reduction is designed to be particularly effective in the common mid-sensitivity range to faithfully reveal textures and detail in shadows.
Over 50 Sony E-mount lenses enable broad creative expression, and a full-frame sensor allows you to leverage the full capabilities of Sony lenses. From wide angles, to enhanced creative compression effects on telephoto lenses, with the full-frame α7C the possibilities are endless.
The BIONZ X image processing engine reflects Sony’s expertise in imaging technologies. It processes images with the front-end LSI in 16-bits and outputs 14-bit RAW13 data for richer, more natural gradations, even in silent or continuous shooting modes14. Combined with the Sony sensor, it delivers excellent colour reproduction, noise reduction, and low-light performance.
5-axis image stabilisation lets you zoom, get close-ups and capture night scenes with greater clarity. Compensation is equivalent to a 5.0-step faster shutter speed15. [1] Pitch [2] Yaw: for long focal lengths, [3] Horizontal [4] Vertical: for sideways/up-down during close-ups and macros, [5] Roll: for rotation during long exposures
Autofocus is improved by optimally applying the advancements of the α9, including the unique 4D FOCUS for wide-area, ultra-fast and steadfast tracking over time. With 693 phase-detection and 425 contrast-detection AF points, the sensor provides wide and high-density AF covering approx. 93% of the image.
When you're tracking a fast-moving subject, the camera can utilise built-in AI-based Real-time Tracking16. This subject recognition algorithm draws on colour, pattern (brightness), subject distance (depth), and face/eye information to recognise and hold onto your subject.
Real-time Eye AF highlights Sony's Speed x AI technology. For both stills and movies, when a face is partially hidden, looking down, or even backlit, focus stays on the subject's eye for reliably impressive portraits. It supports all AF modes, and when [Face/Eye Priority in AF] is set to ON, it’s activated three ways: custom key, half-pressing the shutter, or AF-ON button.
With cutting-edge algorithms, the α7C supports Real-time Eye AF with animal eyes. Focus on the eye instead of the nose or whiskers will greatly increase your success in capturing images of animals, from favourite pets at home to unpredictable wildlife. Tracking continues even if the subject is partially obscured or if your camera orientation changes18.
When the focus mode is AF-S, AF-A, AF-C, or DMF, Real-time Tracking can now be activated by the AF-ON button. This is a convenient way to capture moving subjects in snap shots even with the focus mode set to AF-S. Being able to initiate Real-time Tracking simply with a thumb press anytime under AF modes expands your shooting possibilities.
When using Real-time Tracking, etc., touching the LCD monitor can initiate autofocus for both stills and movies. Touching the LCD monitor under selected settings, such as this allows for intuitive AF operation. When not using AF, focus can be checked with a quick glance at the LCD monitor. In DMF or manual focus (MF) modes, it brings up a peaking function that colour-highlights the area of sharpest focus to adjust the focus point. Choose from four peaking colours for best visibility or contrast. This is especially effective when delicate focusing is required like shooting with a macro lens.
The α7C is capable of continuous shooting at up to 10 fps20 with AF/AE tracking, and up to 8 fps20 in live-view mode to keep focus on a moving subject and capture precise moments. When combined with silent shooting21 at up to 10 fps20, it becomes possible to photograph in sound-sensitive environments, or capture active babies or pets without shutter sounds disturbing them.
Advanced algorithms contribute to high autofocus and distance measurement precision even at light levels as low as EV-422 in the AF-S mode, allowing for shots with precise AF even when scenes are dark.
Enjoy shooting movies with the depth of field control, beautiful bokeh, and the clean low-light scenes only possible with a full-frame sensor. The α7C shoots 4K (QFHD: 3840×2160) using full-pixel readout and 6K oversampling, for exceptional detail with minimal moiré and jaggies23.
With S-Log3 gamma profiles you can capture the full dynamic range of a scene, with up to 14-stops24 giving you access to fine details and gradations in both shadows and highlights during post-production. Alternatively, the HLG (Hybrid Log-Gamma)25 mode allows for direct HDR movie playback and workflows. In addition, the α7C has various Picture Profile settings to expand your possibilities for movie making.
It's easy to create movies in-camera at frame rates from 1 to 120/100 fps for up to 60x quick motion and 5x slow motion in Full HD resolution26. Turn everyday motion into extraordinary artistic moments with ease, to add drama and excitement to your movies.
The MOVIE button has been moved to the top panel to improve access when shooting from different angles, including from waist-level and for selfie or vlogging shots. Also, the α7C codes vertical orientation in metadata so after uploading to social media via a smartphone, the newly popular vertical movie format plays back correctly, eliminating the need for post editing on a PC.
The α7C supports a digital audio interface through the camera’s Multi Interface (MI) Shoe. A digital microphone like the ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit provide clear digital audio for all kinds of movie recording, enhancing the sound to match the image. Like other MI shoe accessories, no cables or batteries are required, providing unrestrained freedom for movie-making.
External mic and headphone jacks help you customise your movie shooting process. The headphone jack supports high-quality headphones for accurate sound monitoring, and the audio output timing can be set to Live for optimum monitoring or Lip Sync to sync video and audio outputs together. You can connect a wide variety of external microphones to the mic input for great sound in varied environments.
The compact and lightweight α7C is ideal for high-quality imaging during travel and vlogging. For easy one-handed shooting the GP-VPT2BT grip, via wireless Bluetooth® connection, puts key camera functions including zoom, record and shutter controls in easy reach and even converts to a mini-tripod. Match it with the ECM-B1M microphone for a compact, cable-free vlogging system.
Most settings, including light output, of an attached compatible flash or Wireless Radio Commander (both sold separately) can be controlled via a camera menu with changes showing on the flash display. With compatible flash units, a new auto white balance function linked to the camera’s face detection system achieves natural colour tone for human faces by analysing the light incident on the subject’s face from both the flash and the surrounding environment.
Wi-Fi® (2.4GHz or 5GHz) enables remote wireless shooting using Imaging Edge™ Desktop and Imaging Edge Mobile™ apps, for shooting creative angles, previewing, control, and transfer to PCs and mobile devices for distant selfies. After shooting, you can quickly save or share images around the world by pairing with a smartphone or tablet2728. FTP file transfer of still images is also possible, even during shooting.
The side-opening, vari-angle LCD monitor is intuitive to use, rotating 176° horizontally and 270° vertically. The large touch-sensitive screen, with approximately 921 thousand dots29, provides optimum visibility even in bright outdoor light. You can frame your shot or selfie from virtually any position and angle for both stills and movies. Touch Tracking, Touch Focus, and Touch Shutter are all supported.
A clear view of images in any environment is possible because the viewfinder is properly equipped despite the body’s compact size. The 2.35 million-dot29 XGA OLED Tru-Finder™ electronic viewfinder achieves high contrast and faithful tonal reproduction for fine subject detail display. Smoother image with 120/100fps30 frame rate makes it easy to track moving subjects. To enhance the user experience, the grip hold and shape have been carefully designed, so that compactness and usability are both uncompromised.
Magnesium alloy used for the top, front, and rear covers enhances body durability. For the α7C, camera parts and internal structures were carefully optimised to reduce size and weight. On the one hand, a monocoque structure31 patterned after airplane design helps to reduce weight while increasing the strength, realising a lightweight camera body with rigid flexibility. And on the other, the shape is supremely ergonomic and also weather sealed against dust and moisture32 for comfortable and confident shooting in a wide range of conditions.
Despite the compact body, the high-capacity NP-FZ100 battery provides power to capture up to an industry-leading33 740 images34 on a full charge when using the LCD monitor, or 68034 when using the viewfinder. This also allows up to 215 minutes35 of movie recording without a break, when using the LCD monitor. In addition, the USB Type-C® connector allows recharging from an AC adaptor or powerbank while continuing to shoot, for limitless shooting potential.
Elevate your photography with Imaging Edge Desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer"36 to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.
With built-in Wi-Fi® and the Imaging Edge Mobile apps on a mobile device, you can remotely operate the camera's shutter and movie recording start and stop. Images and 4K movies can also be wirelessly sent to a device for easy sharing. And, using Movie Edit add-on37 with your α7C, handheld movies can be automatically stabilised, for gimbal-like smooth motion38, directly on your smartphone.
Capture One Express (for Sony)39 is free award-winning image editing software that provides high-end image quality RAW development, easy management of your image files, and powerful editing tools. Capture One Pro (for Sony) is available for even more editing tools and tethered shooting capability.
This product is compatible with Final Cut Pro X and iMovie40.
Category |
|
|
ILCE-7C |
Lens Mount |
E-mount |
ASPECT RATIO |
3:02 |
SENSOR TYPE |
35mm full frame (35.6 x 23.8mm), Exmor R
CMOS sensor |
NUMBER OF |
Approx. 24.2 megapixels |
PIXELS (EFFECTIVE) |
|
NUMBER OF PIXELS (TOTAL) |
Approx. 25.3 megapixels |
ANTI-DUST SYSTEM |
Yes (Charge protection coating on optical
filter and image sensor shift mechanism) |
RECORDING FORMAT |
JPEG (DCF Ver. 2.0, Exif Ver.2.32, MPF
Baseline compliant), RAW (Sony ARW 2.3 format) |
IMAGE SIZE (PIXELS) [3:2] |
35mm full frame L: 6000 x 4000 (24M), M:
3936 x 2624 (10M), S: 3008 x 2000 (6.0M), APS-C L: 3936 x 2624 (10M), M: 3008
x 2000 (6.0M), S: 1968 x 1312 (2.6M) |
IMAGE SIZE (PIXELS) [4:3] |
35mm full frame L: 5328 x 4000 (21M), M:
3488 x 2624 (9.2M), S: 2656 x 2000 (5.3M), APS-C L: 3488 x 2624 (9.2M), M:
2656 x 2000 (5.3M), S: 1744 x 1312 (2.3M) |
COLOUR SPACE |
sRGB standard (with sYCC gamut) and Adobe
RGB standard compatible with TRILUMINOS Color |
IMAGE QUALITY MODES |
RAW (Compressed / Uncompressed),JPEG (Extra
fine / Fine / Standard),RAW & JPEG |
VIDEO COMPRESSION |
XAVC S: MPEG-4 AVC/H.264 |
AUDIO RECORDING FORMAT |
XAVC S: LPCM 2ch |
SLOW & QUICK MOTION (SHOOTING FRAME
RATE) |
NTSC mode: 1fps, 2fps, 4fps, 8fps, 15fps,
30fps, 60fps, 120fps,PAL mode: 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps,
100fps |
MOVIE FUNCTIONS |
Audio Level Display, Audio Rec Level,
PAL/NTSC Selector, TC/UB, Auto Slow Shutter, Gamma Disp. Assist |
MEDIA |
SD memory card, SDHC memory card (UHS-I/II
compliant), SDXC memory card (UHS-I/II compliant) |
MEMORY CARD SLOT |
Slot for SD (UHS-I/II compliant) memory card |
NOISE REDUCTION |
Long exposure NR: On/Off, available at
shutter speeds longer than 1 sec., High ISO NR: Normal / Low / Off |
WHITE BALANCE MODES |
Auto / Daylight / Shade / Cloudy /
Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to
9900K) & color filter / Custom |
FOCUS TYPE |
Fast Hybrid AF (phase-detection AF /
contrast-detection AF) |
EYE AF / SUBJECT RECOGNITION AF |
[Still images] Human (Right/Left Eye Select)
/ Animal, [Movie] Human (Right/Left Eye Select) / Animal |
FOCUS SENSOR |
Exmor R CMOS sensor |
FOCUS POINT |
35mm full frame: 693 points (phase-detection
AF), APS-C mode with FF lens: 299 points (phase-detection AF), with APS-C
lens: 221 points (phase-detection AF) / 425 points (contrast-detection AF) |
FOCUS MODE |
AF-A (Automatic AF), AF-S (Single-shot AF),
AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus |
FOCUS AREA |
Wide / Zone / Center / Flexible Spot /
Expanded Flexible Spot / Tracking |
METERING TYPE |
1200-zone evaluative metering |
AE LOCK |
Locked when shutter button is pressed
halfway. (On/Off/Auto) |
METERING SENSOR |
Exmor R CMOS sensor |
ISO SENSITIVITY (RECOMMENDED EXPOSURE INDEX) |
Still images: ISO 100-51200 (ISO numbers up
from ISO 50 to ISO 204800 can be set as expanded ISO range.), AUTO (ISO
100-12800, selectable lower limit and upper limit), Movies: ISO 100-51200
equivalent (ISO numbers up ISO 102400 can be set as expanded ISO range.),
AUTO (ISO 100-12800, selectable lower limit and upper limit) |
VIEWFINDER TYPE |
1.0 cm (0.39 type) electronic viewfinder
(XGA OLED) |
MONITOR TYPE |
7.5cm (3.0-type) type TFT |
BRIGHTNESS CONTROL |
Manual (5 steps between -2 and +2), Sunny
Weather mode |
FACE DETECTION |
Face Priority in AF, Face Priority in Multi
Metering, Regist. Faces Priority |
SHUTTER TYPE |
Mechanical shutter/Electronic shutter |
SHUTTER SPEED |
Still images: Mechanical Shutter: 1/4000 to
30 sec., Bulb, Electronic Shutter: 1/8000 to 30 sec., Movies (NTSC mode) :
1/4000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow
shutter mode), Movies (PAL mode) : 1/4000 to 1/4 (1/3 steps), up to 1/50 in
AUTO mode (up to 1/25 in Auto slow shutter mode) |
SILENT SHOOTING |
Yes (ON/OFF) |
Image Stabilization Type |
Image Sensor-Shift mechanism with 5-axis
compensation (Compensation depends on lens specifications) |
FLASH MODES |
Flash off, Autoflash, Fill-flash, Slow
Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless2, Hi-speed
sync.2 |
Flash WIRELESS CONTROL |
Yes (Light signal: Available with
Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with
Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.) |
SELF-TIMER |
10 sec. delay / 5 sec. delay / 2 sec. delay
/ Continuous self-time / Bracketing self-timer |
PHOTO CAPTURE |
Yes |
HEADPHONE TERMINAL |
Yes (3.5 mm Stereo minijack) |
BLUETOOTH |
Yes (Bluetooth Standard Ver. 4.1 (2.4GHz
band)) |
MIC TERMINAL |
Yes (3.5 mm Stereo minijack) |
MICROPHONE |
Built-in, stereo |
SPEAKER |
Built-in, monaural |
SUPPLIED BATTERY |
One rechargeable battery pack NP-FZ100 |
BATTERY LIFE (STILL IMAGES) |
Approx. 680 shots (Viewfinder) / approx. 740
shots (LCD monitor) (CIPA standard)5 |
BATTERY LIFE (MOVIE, ACTUAL RECORDING) |
Approx. 140 min. (Viewfinder) / Approx. 140
min. (LCD monitor) (CIPA standard) |
POWER CONSUMPTION WITH VIEWFINDER |
Still images: approx. 2.9W (with FE 28-60mm
F4-5.6 OSS lens attached), Movies: approx. 4.5W (with FE 28-60mm F4-5.6 OSS
lens attached) |
BATTERY LIFE (MOVIE, CONTINUOUS RECORDING) |
Approx. 220 min. (Viewfinder) / Approx. 215
min. (LCD monitor) (CIPA standard) |
USB POWER SUPPLY |
Yes |
WEIGHT (WITH BATTERY AND MEMORY CARD
INCLUDED) |
Approx. 509 g / Approx. 1lb 2.0 oz (Body
Only: Approx. 424 g / Approx. 0 lb 15.0 oz) |
DIMENSIONS (W X H X D) |
124.0mm x 71.1mm x 59.7mm, 124.0mm x 71.1mm
x 53.5mm (FROM GRIP TO MONITOR) / 5 x 2 7/8 x 2 3/8 inches, 5 x 2 7/8 x 2 1/8
inches (FROM GRIP TO MONITOR) |